Carlos Laate

Zuni Pueblo
Carlos Laate in 2015
Polychrome water jar

Carlos Laate was born into Zuni Pueblo in 1962, son of Etta Lynn and Lydatie Laate. He was inspired to make pottery by his aunt, Jennie Laate. Jennie taught pottery making at Zuni High School. Following in the footsteps of her mentor, Daisy Hooee Nampeyo, Jennie is credited as being a major part of the rebirth of the Zuni pottery tradition.

Carlos has been making pottery since 1987. He is 100% Zuni and prefers to use many of the old Zuni shapes (water jars, pitchers, owl effigies) and designs in his work. As his father worked for many years in the forests, and Carlos joined him often, you can see those influences in his use of turkeys, deer, birds and other wildlife in his designs. As Carlos says, there's a lot of forest out there with lots of beautiful places to hike and hunt.

Carlos has participated in many shows and earned awards for everything from Best of Show (Twin Arrows Casino Resort, AZ) to Honorable Mention and Acquisition Awards to First, Second and Third Place ribbons in shows at the Heard Museum Guild Indian Fair & Market (Phoenix, AZ), Cherolette Hall (Prescott, AZ), Northern Arizona Museum (Flagstaff), and the Litchfield Park Native American Arts Festival (Litchfield Park, AZ). His work is also on display at the Utah Natural History Museum, University of Kansas-Lawrence, Tucson Museum of Art and the Heard Museum.


100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved

 

Zuni Pueblo

A view of the Zuni Pueblo Welcome sign
Welcome sign at Zuni Pueblo

As a tribe, the Zunis seem to have come together between the 13th and 15th centuries CE. It has been speculated that the original source population was of an Ancestral Puebloan lineage out of the environs of Acoma. It has been speculated that they spoke a merged Keres/Tanoan. Then came the migrations out of the White Mountains and eastern Arizona as those areas were abandoned. The newcomers may have brought "Zuni" into the world as they merged into the villages already in place along the Zuni River. They also brought with them artifacts of a desert culture, speculated to have been from a divergent California Penutian source.

In the early 1500s, various Spanish shipwreck survivors and explorers made their way around the southern part of what is now the United States, looking for a way to get back home. While spreading their diseases everywhere they went, they also picked up stories to tell, if and when they got back home. Many of those stories revolved around the "gold" and other "riches" they saw in their travels. Those stories provided the impetus for the Spanish authorities to send out larger militarized forces to explore, conquer and loot.

In 1540, the Zunis fought a major battle with the forces of Francisco Vasquez de Coronado. Coronado was new in the neighborhood and didn't know (or care about) the local customs. His expedition had been sent north from Chihuahua in 1539, expressly to get any gold they could find and bring it back for the king's treasury.

Coronado first approached Hawikuh (the main Zuni pueblo at the time) near the end of a four-day religious festival. The Zunis had spilled a line of corn meal across the ground in front of the main entrance to the pueblo, meant to signify that no one should cross the line and try to enter the village yet. Coronado seems to have interpreted that line of corn meal as an insult and a provocation. He immediately ordered his soldiers to attack.

To get into a pueblo in those days required climbing to the roof first, then climbing down a ladder through a hole in the roof to get inside. The Zunis started throwing rocks down from the roof and almost killed Coronado that way, but his soldiers protected him and they did finally prevail. As Coronado and his men came with horses, cows, sheep, goats and pigs, they were the first livestock the Zunis had ever seen. The "gold" the Spaniards had been told they'd find turned out to be yellow bowls and jars, clay gifts from the Hopis to the Zunis.

Coronado assaulted all seven of the Zuni villages of the time, stealing all their stores of food and destroying their crops while looking for loot. Then he demanded to be told where the gold was. The Zunis didn't know what he was talking about, gold was unknown to them. That's when the Zunis gave him a guide from the eastern Plains, someone who'd somehow made his way as a lone traveler to Hawikuh. While he was promoted as a guide to Coronado and his men, he was instructed by the Zunis to take Coronado far into the Plains and get him lost there. When Coronado finally realized that, more than a year later, he ordered the guide be strangled. Then he turned his men around and headed back to Zuni for supplies, and then he marched on back to Mexico.

When he passed by Zuni in 1542, he left three Mexican Indians and Esteban, a Moorish slave, behind. Esteban apparently shortly assaulted a woman in the village and was immediately killed. The Mexican Indians most likely informed the Zuni leaders of the extent of the Spanish domain in Mexico and the power they exercised there.

In their passage, Coronado and his men also left behind many European diseases, diseases which decimated whole villages across the Southwest. Except for a couple passing exploratory expeditions, though, Zuni was left alone until Don Juan de Oñe arrived at the gate in the 1620s. By that time, so many Zunis had died of Spanish diseases there were only two Zuni villages left. 1628 is when the Franciscan friars arrived. At first the Zunis were friendly with the priests but the forced labor requirements and forced religious conversions wore that welcome out quickly. They forced the people to construct a mission church at Hawikuh in 1629. Relations had changed drastically for the worse by the time of the Pueblo Revolt of 1680. That's when the Zunis killed the priests and burned the missions, but they preserved the relics and icons the priests had brought from Spain.

The tribe built a village near their fortress at Dowa Yalanne (atop a large mesa to the southeast) and prepared to defend their people and way of life against the return of the Spanish army. When Don Diego de Vargas arrived with troops in 1692, he attacked the fortress twice and failed. Then he entered into negotiations with the Zuni war chief and was allowed to climb to the top of Dowa Yalanne. In passing through the village there, he saw many relics from the destroyed missions. With that knowledge, he arranged a peace between the Spanish and the Zunis. Then, between 1693 and 1700, the Zunis consolidated all their small villages into what is now the Pueblo of Zuni.

The railroads arrived in New Mexico in the 1880s and right behind them came the first Anglo traders. Over the next 50 years Zuni pottery turned more and more to what the traders wanted. With the push into mass production, the quality fell off. The end result was the value of Zuni pottery fell way off and the potters tired of what they were doing. Pottery making dropped off in the 1940s until only ceremonial vessels were being made. Catalina Zunie was teaching pottery making at the Zuni Day School through this time period but the Zuni pottery revival didn't really begin until Daisy Hooee began teaching ceramics at Zuni High School in the 1960s and 1970s.

An accomplished Hopi-Tewa potter with an excellent pedigree, Daisy applied herself to learning about Zuni pottery and became a consummate Zuni potter. She retired from teaching at the high school in 1974. Jennie Laate, an Acoma woman who married into Zuni and learned the Zuni way from Daisy Hooee, took over teaching the classes. Many of today's well known Zuni potters thank Jennie Laate for her teaching and inspiration. She taught until 1990 when she turned the classes over to her student, Noreen Simplicio. Noreen taught the classes for 2 years, then Gabriel Paloma took over.

Josephine Nahohai brought traditional Zuni pottery designs back into the community in the 1980s. Les Namingha has also been using more traditional Zuni shapes and designs in his Zuni revival pottery. Today, because so many Zuni potters learned their craft at Zuni High School, they mostly also use electric kilns for firing their works. Other than that, they all use the same traditional methods of gathering and processing the clay, making their pottery and painting their designs, traditional processes that are practiced in virtually the same way in all the pueblos.

Zuni Pueblo location map
For more info:
at Wikipedia
official website
Photo courtesy of Ken Lund, Creative Commons Attribution-Share Alike License 2.0 Generic


100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved

Zuni Teaching Tree

Disclaimer: This "teaching tree" is a best effort on our part to determine who the potters are in this group and arrange them in a generational order.

The pottery tradition at Zuni almost died out until Daisy Hooee (granddaughter of Nampeyo of Hano, Hopi-Tewa) took on the job of teaching pottery at Zuni High School in 1960. She was recruited for the job by Catalina Zunie, a Zuni potter who had spent several years just trying to get pottery on the school curriculum. Daisy also spent a year working with Catalina to become a consummate Zuni potter herself before she started teaching.

There have been several teachers at Zuni High since then and for some students, learning from their parents (who were former Zuni High students) has helped to strengthen the tradition. This diagram is subject to change should we get better info.

    Daisy Hooee Nampeyo taught 1960-1974
    • Shirley Benn
    Jennie Laate taught 1974-1990
    • Carlos Laate
    • Gabriel Paloma
    • Agnes Peynetsa
    • Anderson Peynetsa & Avelia Peynetsa
      • Anderson Jamie Peynetsa
      • Dominic Laweka
    • Priscilla Peynetsa & Daryl Westika
      • Gaylon Westika
    • Paula Quam
    • Brian Tsethlikai and Yvonne Nashboo
Noreen Simplicio - learned from Jennie Laate, taught 1990-1992
Gabriel Paloma - learned from Jennie Laate, took over class from Noreen Simplicio in 1992

Some of the above info is drawn from Southern Pueblo Pottery, 2000 Artist Biographies, by Gregory Schaaf, © 2002, Center for Indigenous Arts & Studies

Other info is derived from personal contacts with family members and through interminable searches of the Internet and cross-examination of the data found.

100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved