Shirley Tafoya
Santa ClaraShirley Cactus Blossom Tafoya was born into Santa Clara Pueblo in 1947. She was the daughter of Margaret Tafoya and Alcario Tafoya, granddaughter of Sarafina Tafoya and Geronimo Tafoya.
Shirley was a bit of a wild child but she was an excellent potter. When Walt Youngblood decided he wasn't going to support his daughter Nancy any more, Shirley took her in. Nancy referred to her as "Aunt Berda" and the two of them sometimes prowled around the Santa Fe Plaza selling miniature black pots they'd made for $20-$25 each. Shirley became known for her carved blackware bowls and jars and for her polished blackware wedding vases.
Shirley's work was featured in the 1974 Seven Families in Pueblo Pottery exhibit at the Maxwell Museum of Anthropology at the University of New Mexico in Albuquerque. She was also a participant in the One Space/Three Visions major tri-cultural exhibit at the Albuquerque Museum in 1979.
Toward the end of her mother's life, Shirley and Margaret were almost inseparable. When Andrea had the show for Margaret's 94th birthday at Andrea Fisher Fine Pottery, Shirley told Andrea Margaret had been so nervous her clothes were laid out on the bed a week in advance.
Some Awards Shirley Won
- 1998 Santa Fe Indian Market, First Place for a miniature vase, First Place for a miscellaneous miniature and Third Place for a jar less than 7 inches tall
- 1992 Santa Fe Indian Market, Miniature Pottery Award, First Place for a miniature vase, Second Place for a miscellaneous miniature and Second Place for a carved bowl
- 1991 Santa Fe Indian Market, Second Place for an undecorated wedding vase
- 1990 Santa Fe Indian Market, First Place award for a miscellaneous piece
- 1989 Santa Fe Indian Market, First Place for a miscellaneous miniature, Second Place for a miniature jar and Second Place for a miniature vase
- 1988 Santa Fe Indian Market, First Place for a vase (including wedding vase) and Second Place for a jar
- 1986 Santa Fe Indian Market, Second Place for a non-traditional form
- 1984 Santa Fe Indian Market, First Place for a bowl, Second Place for a miscellaneous miniature
- 1981 Santa Fe Indian Market, Second Place award
- 1980 Santa Fe Indian Market, First Place award
- 1979 Santa Fe Indian market, Third Place award for a miniature brown jar
- 1978 Santa Fe Indian Market, First Place award for a miniature pot
- 1977 Santa Fe Indian Market, First Place award for a water jar, Second Place award for a carved black jar
- 1976 Santa Fe Indian Market, First Place award for a black melon bowl
- 1975 Santa Fe Indian Market, First Place award for an undecorated bowl
- 1974 Santa Fe Indian Market, First Place award
100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved
Santa Clara Pueblo
Ruins at Puye Cliffs, Santa Clara Pueblo
Santa Clara Pueblo straddles the Rio Grande about 25 miles north of Santa Fe. Of all the pueblos, Santa Clara has the largest number of potters.
The ancestral roots of the Santa Clara people have been traced to the pueblos in the Mesa Verde region in southwestern Colorado. When that area began to get dry between about 1100 and 1300, some of the people migrated to the Chama River Valley and constructed Poshuouinge (about 3 miles south of what is now Abiquiu on the edge of the mesa above the Chama River). Eventually reaching two and three stories high with up to 700 rooms on the ground floor, Poshuouinge was inhabited from about 1375 to about 1475. Drought then again forced the people to move, some of them going to the area of Puye (on the eastern slopes of the Pajarito Plateau of the Jemez Mountains) and others to Ohkay Owingeh (San Juan Pueblo, along the Rio Grande). Beginning around 1580, drought forced the residents of the Puye area to relocate closer to the Rio Grande and they founded what we now know as Santa Clara Pueblo on the west bank of the river, between San Juan and San Ildefonso Pueblos.
In 1598 Spanish colonists from nearby Yunque (the seat of Spanish government near San Juan Pueblo) brought the first missionaries to Santa Clara. That led to the first mission church being built around 1622. However, the Santa Clarans chafed under the weight of Spanish rule like the other pueblos did and were in the forefront of the Pueblo Revolt of 1680. One pueblo resident, a mixed black and Tewa man named Domingo Naranjo, was one of the rebellion's ringleaders. When Don Diego de Vargas came back to the area in 1694, he found most of the Santa Clarans on top of nearby Black Mesa (with the people of San Ildefonso). An extended siege didn't subdue them so eventually, the two sides negotiated a treaty and the people returned to their pueblo. However, successive invasions and occupations by northern Europeans took their toll on the tribe over the next 250 years. The Spanish flu pandemic in 1918 almost wiped them out.
Today, Santa Clara Pueblo is home to as many as 2,600 people and they comprise probably the largest per capita number of artists of any North American tribe (estimates of the number of potters run as high as 1-in-4 residents).
Today's pottery from Santa Clara is typically either black or red. It is usually highly polished and designs might be deeply carved or etched ("sgraffito") into the pot's surface. The water serpent, ("avanyu"), is a traditional design motif of Santa Clara pottery. Another motif comes from the legend that a bear helped the people find water during a drought. The bear paw has appeared on their pottery ever since.
One of the reasons for the distinction this pueblo has received is because of the evolving artistry the potters have brought to the craft. Not only did this pueblo produce excellent black and redware, several notable innovations helped move pottery from the realm of utilitarian vessels into the domain of art. Different styles of polychrome redware emerged in the 1920's-1930's. In the early 1960's experiments with stone inlay, incising and double firing began. Modern potters have also extended the tradition with unusual shapes, slips and designs, illustrating what one Santa Clara potter said: "At Santa Clara, being non-traditional is the tradition." (This refers strictly to artistic expression; the method of creating pottery remains traditional).
Santa Clara Pueblo is home to a number of famous pottery families: Tafoya, Baca, Gutierrez, Naranjo, Suazo, Chavarria, Garcia, Vigil, Tapia - to name a few.
100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved
Margaret Tafoya Family Tree
Disclaimer: This "family tree" is a best effort on our part to determine who the potters are in this family and arrange them in a generational order. The general information available is questionable so we have tried to show each of these diagrams to living members of each family to get their input and approval, too. This diagram is subject to change should we get better info.
Note: Sarafina (Gutierrez) Tafoya was the sister of Pasqualita Tani Gutierrez.
- Sarafina Tafoya (1863-1949) & Geronimo Tafoya
- Margaret Tafoya (1904-2001) & Alcario Tafoya (d. 1995)
- Mary Ester Archuleta (1942-2010)
- Barry Archuleta
- Bryon Archuleta
- Sheila Archuleta
- Jennie Trammel (1929-2010)
- Karen Trammel Beloris
- Virginia Ebelacker (1925-2001)
- James Ebelacker (1960-) & Cynthia Ebelacker
- Jamelyn Ebelacker
- Sarena Ebelacker
- Richard Ebelacker (1946-2010) & Yvonne Ortiz
- Jason Ebelacker
- Jerome Ebelacker & Dyan Esquibel
- Andrew Ebelacker
- Nickolas Ebelacker
- James Ebelacker (1960-) & Cynthia Ebelacker
- Lee Tafoya (1926-1996) & Betty Tafoya (Anglo)
- Linda Tafoya (Oyenque)(Sanchez) (1962-)
- Antonio Jose Oyenque
- Jeremy Rio Oyenque
- Maria Theresa Oyenque
- Melvin Tafoya
- Phyllis Bustos Tafoya
- Linda Tafoya (Oyenque)(Sanchez) (1962-)
- Mela Youngblood (1931-1990) & Walt Youngblood
- Nancy Youngblood (1955-)
- Christopher Cutler
- Joseph Lugo
- Sergio Lugo
- Nathan Youngblood (1954-)
- Nancy Youngblood (1955-)
- Toni Roller (1935-)
- Brandon Roller
- Cliff Roller (1961-)
- Deborah Morning Star Roller
- Jeff Roller (1963-)
- Jordan Roller
- Ryan Roller
- Susan Roller Whittington (1955-)
- Charles Lewis
- Tim Roller (1959-) & Clarissa Tafoya
- William Roller
- LuAnn Tafoya (1938-) & Sostence Tapia
- Michele Tapia Browning (1960-)
- Ashley Browning
- Mindy Browning
- Daryl Duane Whitegeese (1964-) & Rosemary Hardy
- Samantha Whitegeese
- Tina Whitegeese
- Michele Tapia Browning (1960-)
- Shirley Cactus Blossom Tafoya (1947-)
- Meldon Tafoya
- Andrea Tafoya
- Crystal Tafoya
- Melissa Tafoya
- Mary Ester Archuleta (1942-2010)
- Christina Naranjo (1891-1980) & Jose Victor Naranjo (1895-1942)
- Mary Cain (1916-2010)
- Billy Cain (1950-2005)
- Joy Cain (1947-)
- Linda Cain (1949-)
- Autumn Borts-Medlock (1967-)
- Tammy Garcia (1969-)
- Douglas Tafoya
- Marjorie Tafoya Tanin
- Teresita Naranjo (1919-1999)
- Stella Chavarria (1939-)
- Denise Chavarria (1959-)
- Joey Chavarria (1964-1987)
- Sunday Chavarria (1963-)
- Stella Chavarria (1939-)
- Cecilia Naranjo
- Sharon Naranjo Garcia (1951-)
- Judy Tafoya (1962-) & Lincoln Tafoya (1954-)
- Mida Tafoya (1931-2024)
- Sherry Tafoya (1956-)
- Phyllis Tafoya (1955-)
- Robert Tafoya
- Ethel Vigil
- Kimberly Garcia
- Mary Cain (1916-2010)
- Camilio Tafoya (1902-1995) & Agapita Silva (1904-1959)
- Joe Tafoya & Lucy Year Flower (1935-2012)
- Kelli Little Kachina (1967-2014)
- Myra Little Snow (1962-)
- Forrest Red Cloud Tafoya
- Shawn Tafoya (1968-)
- Joseph Lonewolf (1932-2014) & Katheryn Lonewolf
- Greg Lonewolf (1952-)
- Rosemary Apple Blossom Lonewolf (1954-) & Paul Speckled Rock (1952-2017)
- Adam Speckled Rock
- Susan Romero
- Grace Medicine Flower (1938-)
- Joe Tafoya & Lucy Year Flower (1935-2012)
- Dolorita Padilla (1897-1960) & Alberto Padilla (1898-)
- Tomacita Tafoya Naranjo (1884-1918) & Agapita Naranjo
- Nicolasa Naranjo (c.1910-) & Jose G. Tafoya
- Howard Naranjo & Linda Naranjo
- Nicolasa Naranjo (c.1910-) & Jose G. Tafoya
Some of the above info is drawn from Pueblo Indian Pottery, 750 Artist Biographies, by Gregory Schaaf, © 2000, Center for Indigenous Arts & Studies
Other info is derived from personal contacts with family members and through interminable searches of the Internet.
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