
Mary Singer
Santa Clara

Born into Santa Clara Pueblo in May 1936, Mary Singer was the daughter of Pablita Chavarria. Among her siblings were Stella Chavarria, Florence Browning, Elizabeth Naranjo, Reycita Naranjo and Clara Shije. Pablita made sure all her kids learned how to make pottery as they were growing up. Mary excelled at it. She mostly made blackware jars and liked to carve them with bear claws, avanyus, inverted feathers and terraced clouds.
Mary was a participant in the One Space/Three Visions exhibit at the Albuquerque Museum in 1979. Her work was also included in a show with Margaret Tafoya and more than 40 other Santa Clara potters at the Sid Deutsch Gallery in Manhattan in 1985.
Some of the Awards Mary won
- 1981 Santa Fe Indian Market, Second Place
- 1983 Santa Fe Indian Market, Third Place, 2 awards for carved black jars
- 1989 Santa Fe Indian Market, Third Place award for a carved plate
- 1990 Santa Fe Indian Market, Second Place award for a carved figure
- 1991 Santa Fe Indian Market, Second Place award for a carved plate; - Third Place award for a carved bowl
- 1992 Santa Fe Indian Market, Third Place award for a carved bowl less than 8 inches in diameter
- 1993 Santa Fe Indian Market, Second Place award for a carved wedding vase
- 1996 Santa Fe Indian Market, First Place award for a figure; - First Place award for a black single figure; - Third Place award for a bowl with handles or lids
- 1998 Santa Fe Indian Market, First Place award for a figure; - Third Place award for a jar over 7 inches tall
100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved

Santa Clara Pueblo

Ruins at Puye Cliffs, Santa Clara Pueblo
Santa Clara Pueblo straddles the Rio Grande about 25 miles north of Santa Fe. Of all the pueblos, Santa Clara has the largest number of potters.
The ancestral roots of the Santa Clara people have been traced to ancient pueblos in the Mesa Verde region in southwestern Colorado. When that area began to get dry between about 1100 and 1300 CE, some of the people migrated eastward, then south into the Chama River Valley where they constructed several pueblos over the years. One was Poshuouinge, built about 3 miles south of what is now Abiquiu on the edge of the Jemez foothills above the Chama River. Eventually reaching two and three stories high, and with up to 700 rooms on the ground floor, Poshuouinge was occupied from about 1375 CE to about 1475. Drought then again forced the people to move, some of them going to the area of Puye (on the eastern slopes of the Pajarito Plateau of the Jemez Mountains) and others downstream to Ohkay Owingeh (San Juan Pueblo, along the Rio Grande). Beginning around 1580 CE, drought forced the residents of the Puye area to relocate closer to the Rio Grande and they founded what we now know as Santa Clara Pueblo on the west bank of the river, with San Juan Pueblo to the north and San Ildefonso Pueblo to the south.
In 1598 the seat of Spanish government was established at Yunque, near San Juan Pueblo. The Spanish proceeded to antagonize the Puebloans so badly that that government was moved to Santa Fe in 1610, for their own safety.
Spanish colonists brought the first missionaries to Santa Clara in 1598. Among the many things they forced on the people, those missionaries forced the construction of the first mission church around 1622. However, like the other pueblos, the Santa Clarans chafed under the weight of Spanish rule. As a result, they were in the forefront of the Pueblo Revolt of 1680. One Santa Clara resident, a mixed black and Tewa man named Domingo Naranjo, was one of the rebellion's ringleaders. However, the pueblo unity that allowed them to chase the Spanish out fell apart shortly after their success, especially after Popé died.
When Don Diego de Vargas came back to the area in 1694, he found most of the Santa Clarans on top of nearby Black Mesa (with the people of San Ildefonso). A six-month siege didn't subdue them so finally, the two sides negotiated a treaty and the people returned to their pueblos. However, successive invasions and occupations by northern Europeans took their toll on all the tribes over the next 250 years. Then the swine flu pandemic in 1918 almost wiped them out.
Today, Santa Clara Pueblo is home to as many as 2,600 people and they comprise probably the largest per capita number of artists of any North American tribe (estimates of the number of potters run as high as 1-in-4 residents).
Today's pottery from Santa Clara is typically either black or red. It is usually highly polished and designs might be deeply carved or etched ("sgraffito") into the pot's surface. The water serpent, (avanyu), is a very common traditional design motif on Santa Clara pottery. Another motif comes from the legend that a bear helped the people find water during a drought. The bear paw has appeared on much of their pottery ever since.
Santa Clara has received a lot of distinction because of the evolving artistry the potters have brought to their craft. Not only did this pueblo produce excellent black and redware, several notable innovations helped move pottery from the realm of utilitarian vessels into the domain of art. Different styles of polychrome redware emerged in the 1920s-1930s. In the early 1960s experiments with stone inlay, incising and double firing began. Modern potters have also extended the tradition with unusual shapes, slips and designs, illustrating what one Santa Clara potter said: "At Santa Clara, being non-traditional is the tradition." (This refers strictly to artistic expression; the method of creating pottery remains traditional).
Santa Clara Pueblo is home to a number of famous pottery families: Tafoya, Baca, Gutierrez, Naranjo, Suazo, Chavarria, Garcia, Vigil, and Tapia - to name a few.
100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved