Dora Tse Pe
San Ildefonso
Dora Gachupin was born at Zia Pueblo in 1939 to parents Candelaria Medina of Zia and Tony Gachupin of Jemez. She married Johnnie "Tse-Pe" Gonzales of San Idelfonso when she was about 20 and contrary to the ancient tradition, moved to his home from Zia (the Pueblo people are generally matrilineal and home is usually where the wife's family resides). She had grown up learning the Zia pottery designs and shapes but at San Ildefonso, Dora was exposed to the highly polished red and blackware that Rose Gonzales, her mother-in-law, made. "We didn't polish at Zia", Dora has said, "we used slips and plant and mineral paints." It was from Rose that she learned polishing and other San Ildefonso and San Juan styles and techniques. She said about Rose, "I love her work, and I love carving. And I love the water serpent. It depicts water - rain, thanksgiving and prayer for water. It's a San Ildefonso trademark. I like to make my serpent really simple and graceful. You'll notice that Santa Clara serpents look almost oriental, all the curves on the backs and all. Mine are very plain."
Other exceptional potters who have influenced Dora over the years include Popovi Da with his two-tone black and sienna ware and Tony Da with his use of stone inlay. Dora's work often includes turquoise or coral inlays on pots that also include combinations of black and sienna with micaceous slips. Her innovative style has sometimes been called "contemporary" and she often works with both polished clay and dull or micaceous clays in the same piece. However, she says she doesn't like that "contemporary" term and considers herself and her work to be traditional.
She earned many awards including Master Potter at Santa Fe Indian Market. Dora believes in quality not quantity and sees her art to be a gift from God. "It gives me pleasure to create beauty from the earth," she said.
Some Exhibits that featured Dora's work
- Choices and Change: American Indian Artists in the Southwest. Heard Museum North Scottsdale. Opened June 30, 2007
- Recent Acquisitions from the Herman and Claire Bloom Collection. Heard Museum. Phoenix, AZ January 11, 1997 - July 31, 1997
- Fifth Annual Hollywood Premiere. Four Seasons Hotel, Los Angeles, CA. Gallery 10. Scottsdale, AZ. November 23, 1991 - November 24, 1991
- Magic in Clay. Morrill Hall, University of Nebraska State Museum. Lincoln, NE. May 5, 1991 - August 30, 1991
- 1976 Heard Museum Guild Indian Arts and Crafts Exhibit. Heard Museum. Phoenix, Arizona. November 26 - December 5, 1976
Some Awards Dora Earned
- 2009 Heard Museum Guild Indian Fair & Market: Judge's Choice Award
- 2007 Heard Museum Guild Indian Fair & Market, Class. II - Pottery, Division B - Traditional, native clay, hand built, unpainted: First Place
- 2007 Heard Museum Guild Indian Fair & Market, Judge's Choice Award
- 1976 Heard Museum Guild Indian Arts and Crafts Exhibit, Classification X - Pottery, Division C - Figurines, bells, jewelry, miniatures, etc.: Second Place. Awarded for artwork: Miniature vase
- 1976 Heard Museum Guild Indian Arts and Crafts Exhibit, Classification X - Pottery, Division C - Figurines, bells, jewelry, miniatures, etc.: Honorable Mention. Awarded for artwork: Turtle with etched serpent
100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved
San Ildefonso Pueblo
San Ildefonso Pueblo is located about twenty miles northwest of Santa Fe, New Mexico, mostly on the eastern bank of the Rio Grande. Although their ancestry has been traced to prehistoric pueblos in the Mesa Verde area, their most recent ancestral home is in the area of Bandelier National Monument, the prehistoric village of Tsankawi in particular. Tsankawi abuts the reservation on its northwest side.
A mission church was built in 1617 and named for San Ildefonso. Hence the name. Before that the village was called Powhoge, "where the water cuts through" (in Tewa). Today's pueblo was established as long ago as the 1300s. When the Spanish arrived in 1540, they estimated the village population at about 2,000.
That mission was destroyed during the Pueblo Revolt of 1680 and when Don Diego de Vargas returned to reclaim the San Ildefonso area in 1694, he found virtually all the Tewa people on top of nearby Black Mesa. After an extended siege the two sides negotiated a treaty and the people returned to their villages. However, the next 250 years were not good for them. The Spanish swine flu pandemic of 1918 reduced the pueblo's population to about 90. Their population has grown to more than 600 now but the only economic activity available on the pueblo involves creating art in one form or another. The only other work is off-pueblo. San Ildefonso's population is small compared to neighboring Santa Clara Pueblo, but the pueblo maintains its own religious traditions and ceremonial feast days.
San Ildefonso is most known for being the home of the most famous Pueblo Indian potter, Maria Martinez. Many other excellent potters from this pueblo have produced quality pottery, too, among them: Blue Corn, Tonita and Juan Roybal, Dora Tse Pe and Rose Gonzales. Of course the descendants of Maria Martinez are still important pillars of San Ildefonso's pottery tradition. Maria's influence reached far and wide, so far and wide that even Juan Quezada of the Mata Ortiz pottery renaissance in Chihuahua, Mexico, came to San Ildefonso to learn from her.
100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved
Dora Tse Pe, San_Ildefonso, Agoldenmicaceousweddingvasewithalightlycarvedavanyudesignwithapieceofturquoiseforitseye
San Ildefonso
$ 3800
zzsi4f406
A golden micaceous wedding vase with a lightly carved avanyu design with a piece of turquoise for its eye
8 in L by 8 in W by 10.75 in H
Condition: Excellent
Signature: Dora Tse Pe of San Ildefonso
Date Created: 1982
100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved
The Story of
the Wedding Vase
as told by Teresita Naranjo of Santa Clara Pueblo
Helen Naha
Hopi
Wilma Baca Tosa
Jemez Pueblo
Margaret Tafoya
Santa Clara Pueblo
The Wedding Vase has been used for a long, long time in Indian Wedding Ceremonies.
After a period of courtship, when a boy and girl decide to get married, they cannot do so until certain customs have been observed. The boy must first call all his relatives together to tell them that he desires to be married to a certain girl. If the relatives agree, two or three of the oldest men are chosen to call on the parents of the girl. They pray according to Indian custom and the oldest man will tell the parents of the girl what their purpose is in visiting. The girl's parents never give a definite answer at this time, but just say that they will let the boy's family know their decision later.
About a week later, the girl calls a meeting of her relatives. The family then decides what answer should be given. If the answer is “no” that is the end of it. If the answer is “yes” then the oldest men in her family are delegated to go to the boy's home, and to give the answer, and to tell the boy on what day he can come to receive his bride-to-be. The boy must also notify all of his relatives on what day the girl will receive him, so that they will be able to have gifts for the girl.
Now the boy must find a Godmother and Godfather. The Godmother immediately starts making the wedding vase so that it will be finished by the time the girl is to be received. The Godmother also takes some of the stones which have been designated as holy and dips them into water, to make it holy water. It is with this holy water that the vase is filled on the day of the reception.
The reception day finally comes and the Godmother and Godfather lead the procession of the boy's relatives to the home of the girl. The groom is the last in line and must stand at the door of the bride's home until the gifts his relatives have brought have been opened and received by the bride.
The bride and groom now kneel in the middle of the room with the groom's relatives and the bride's parents praying all around them. The bride then gives her squash blossom necklace to the groom's oldest male relative, while the groom gives his necklace to the bride's oldest male relative. After each man has prayed, the groom's necklace is placed on the bride, and the bride's is likewise placed on the groom.
After the exchange of squash blossom necklaces and prayers, the Godmother places the wedding vase in front of the bride and groom. The bride drinks out of one side of the wedding vase and the groom drinks from the other. Then, the vase is passed to all in the room, with the women all drinking from the bride's side, and the men from the groom's.
After the ritual drinking of the holy water and the prayers, the bride's family feeds all the groom's relatives and a date is set for the church wedding. The wedding vase is now put aside until after the church wedding.
Once the church wedding ceremony has occurred, the wedding vase is filled with any drink the family may wish. Once again, all the family drinks in the traditional manner, with women drinking from one side, and men the other. Having served its ceremonial purpose, the wedding vase is given to the young newlyweds as a good luck piece.