Debbie Brown

Acoma

Debbie (Garcia) Brown was born in Albuquerque, NM in December, 1962. Her mother was Sarah Garcia and her grandmother, Jessie Garcia, both of Acoma Pueblo. Goldie Hayah and Donna Chino are among her siblings. Like her sisters, Debbie learned how to make pottery through watching and working with their mother and grandmother as she was growing up.

In her early 20s, Debbie started exhibiting at Santa Fe Indian Market and the Eight Northern Indian Pueblos Arts & Crafts Show and won many ribbons over the years. She was a participant at Santa Fe Indian Market from about 1980 to 2010. Her repertoire of styles and shapes includes plates, seed pots, jars, bowls and wedding vases. She works in polychrome and black-on-white.

Debbie's favorite designs to paint are deer, parrots, bears, turtles, flowers, bees and traditional geometrics.

Some Awards won by Debbie

  • 2000 Santa Fe Indian Market, Classification II, Pottery, Division F - Traditional pottery, painted designs on matte or semi-matte surface, all forms except jars, Category 1314 - Miscellaneous: Second Place
  • 2000 Santa Fe Indian Market, Classification II, Pottery, Division F - Traditional pottery, painted designs on matte or semi-matte surface, all forms except jars, Category 805 - Other plain ware: First Place
  • 2000 Santa Fe Indian Market, Classification II, Pottery, Division F - Traditional pottery, painted designs on matte or semi-matte surface, all forms except jars, Category 805 - Other plain ware: Second Place
  • 1999 Santa Fe Indian Market, Classification II - Pottery, Division E - Traditional pottery, jars, painted designs on matte or semi-matte surface, jars in the style of Hopi, Acoma, Laguna, Zia, Santa Ana, San Ildefonso, Santo Domingo, Cochiti, Zuni & related styles, Category 1204, Jars, Acoma (over 7" tall): First Place
  • 1999 Santa Fe Indian Market, Classification II - Pottery, Division A -Traditional unpainted pottery, Category 805 - Other Plain ware (including corrugated, incised, impressed or relief work); Third Place
  • 1998 Santa Fe Indian Market, Classification II - Pottery, Division E - Traditional pottery, jars, Category 1204 - jars up to 6" tall: Honorable Mention
  • 1997 Santa Fe Indian Market, Classification II - Pottery, Division E - Traditional pottery, Category 1204, Jars: Third Place
  • 1996 Santa Fe Indian Market, Classification II - Pottery, Division F - Traditional pottery, Category 1308, Plate: First Place
  • 1994 Santa Fe Indian Market, Classification II - Pottery, Division F - Traditional pottery, Painted design on matte or semi-matte surface jars, Category - 1304 Jars, Acoma or Laguna (over 7" tall): Second Place

100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved

 

Acoma Pueblo

Acoma from the air
Sky City

According to Acoma oral history, the sacred twins led their ancestors to "Ako," a magical mesa composed mostly of white rock, and instructed those ancestors to make that mesa their home. Acoma Pueblo is called "Sky City" because of its position atop the mesa. Acoma is located about 60 miles west of Albuquerque.

Acoma, Old Oraibi (at Hopi) and Taos all lay claim to being the oldest continuously inhabited community in the U.S. Those competing claims are hard to settle as each village can point to archaeological remnants close by to substantiate each village's claim. While the people of Acoma have an oral tradition that says they've been living in the same area for more than 2,000 years, archaeologists feel more that the present pueblo was established near the end of the major migrations of the 1300s. The location is essentially on the boundary between the Mimbres-Mogollon and Ancestral Puebloan cultures. Each of those cultures has had an impact on the styles and designs of Acoma pottery, especially since modern potters have been getting the inspiration for many of their designs from ancient pot shards they have found while walking on pueblo lands.

Francisco Vasquez de Coronado ascended the cliff to visit Acoma in 1540. He afterward wrote that he "repented having gone up to the place." But the Spanish came back later and kept coming back. In 1598 relations between the Spanish and the Acomas took a really bad turn with the arrival of Don Juan de Oñaté and the soldiers, settlers and Franciscan monks that accompanied him. After ascending to the mesa top, Oñaté decided to force the Acomas to swear loyalty to the King of Spain and to the Pope. When the Acomas realized what the Spanish meant by that, a group of Acoma warriors attacked a group of Spanish soldiers and killed 11 of them, including one of Oñaté's nephews. Don Juan de Oñaté retaliated by attacking the pueblo, burning most of it and killing more than 600 people. Another 500 people were imprisoned by the Spanish, males between the ages of 12 and 25 were sold into slavery and 24 men over the age of 25 had their right foot amputated. Many of the women over the age of 12 were also forced into slavery and were eventually parceled out among Catholic convents in Mexico City. Two Hopi men were also captured at Acoma and, after having one hand cut off, they were released and sent home to spread the word about Spain's resolve to subjugate the inhabitants of Nuevo Mexico.

When word of the massacre and the punishments meted out got back to King Philip in Spain, he banished Don Juan de Oñaté from Nuevo Mexico. Some Acomas had escaped that fateful Spanish attack and returned to the mesa top in 1599 to begin rebuilding. In 1620 a Royal Decree was issued which established civil offices in each pueblo and Acoma had its first governor appointed. By 1680, the situation between the pueblos and the Spanish had deteriorated again to the point where the Acomas were extremely willing participants in the 1680 Pueblo Revolt.

After the successful Pueblo Revolt the Spanish retreated back to Mexico. Refugees from other pueblos began to arrive at Acoma, fearing an eventual Spanish return and reprisals. That strained the resources of Acoma until the Spanish actually did return. The residents of the pueblo had to make a hard decision. Many of the refugees chose to try a peaceful solution: they quickly relocated to the ancient Laguna area and made peace with the Spanish as soon as they appeared in the region.

Over the next 200 years, Acoma suffered from breakouts of smallpox and other European diseases to which they had no immunity. At first they sided with the Spanish against nomadic raiders from the Ute, Apache and Comanche tribes. Then New Mexico changed hands, the railroads arrived and Acoma became dependent on goods brought in from the outside world.

For many years the villagers had been content on the mesa top. Now most live in villages on the valley floor where water, electricity and other necessities are easily available. While a few families still make their permanent home on the mesa top, the old pueblo is used almost exclusively for ceremonies and celebrations these days.

It's the dense, slate-like clay, that allows Acoma pottery to be thin, lightweight and durable. After they form a pot, they paint it with a white slip. Once dry, black and red design motifs are added using mineral and plant derived paints. Fine lines, geometrics, parrots and old Mimbres designs are common motifs. The traditional paintbrush is chewed from the yucca leaf. Historically, Acoma was known for large, thin-walled "ollas," jars used for storing food and water. With the arrival of the railroad and tourists in the 1880s, Acoma potters adapted the size, shapes and styles of their pots in order to appeal to the new buyers.

Acoma potters felt it was an inappropriate display of ego to sign a pot up into the mid-1960s. Then Lucy Lewis, Jessie Garcia and Marie Z. Chino started signing their pots. The 1960s is also a time when the primary Acoma white clay vein passed through a layer of widely distributed impurities, impurities that passed through the clay filtering process and showed up only during and after the firing. The problem was so bad it affected virtually every Acoma potter and every pot they made. Thankfully, by the late 1960s they had dug through that layer of clay and into a deeper layer that didn't have the problem.

Acoma Pueblo c. 1923
Acoma Pueblo c. 1932
Map showing location of Acoma Pueblo

For more info:
at Wikipedia
official website
Pueblos of the Rio Grande, Daniel Gibson, ISBN-13:978-1-887896-26-9, Rio Nuevo Publishers, 2001
Upper photo courtesy of Marshall Henrie, Creative Commons Attribution-Share Alike 3.0 Unported License

100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved

 

LargepolychromejarwithatraditionalAcomadesignfeaturingparrot,flower,andgeometricelements, Click or tap to see a larger version
See a larger version


Debbie Brown, Acoma, LargepolychromejarwithatraditionalAcomadesignfeaturingparrot,flower,andgeometricelements
Debbie Brown
Acoma
$ 2500
mgac3f241
Large polychrome jar with a traditional Acoma design featuring parrot, flower, and geometric elements
12 in L by 12 in W by 12.25 in H
Condition: Very good, normal wear
Signature: Debbie G. Brown Acoma, NM.


100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved

Jessie Garcia Family Tree

Disclaimer: This "family tree" is a best effort on our part to determine who the potters are in this family and arrange them in a generational order. The general information available is questionable so we have tried to show each of these diagrams to living members of each family to get their input and approval, too. This diagram is subject to change should we get better info.

    Jessie Garcia (1910s-1990s)
    • Anita Garcia Lowden (1930s-1970s)
      • Patricia Lowden (1960-)
    • Chester Garcia & Sarah Garcia (Laguna)(1928-2015)
      • Debbie Brown (1962-)
      • Goldie Hayah (1956-)
    • Stella Shutiva (1939-1997) & Ernest Shutiva (1930s-)
      • Jackie Shutiva [Histia][Montano] (1961-)
      • Sandra Shutiva & Wilfred Garcia (1954-2017)
    • Marcus Garcia & Virginia Garcia
      • Shelly R. Garcia
    • Lori Garcia
    • Tina Garcia

Some of the above info is drawn from Southern Pueblo Pottery, 2000 Artist Biographies, by Gregory Schaaf, © 2002, Center for Indigenous Arts & Studies

Other info is derived from personal contacts with family members and through interminable searches of the Internet and cross-examination of the data found.

100 West San Francisco Street, Santa Fe, New Mexico 87501
(505) 986-1234 - www.andreafisherpottery.com - All Rights Reserved