

Born into San Ildefonso Pueblo in January 1960, Elvis Torres is the son of Philopeta Martinez and Patrick Torres (of Ohkay Owingeh). Elvis creates clay-wash paintings and makes polychrome redware, red-on-red, buff-on-red and black-on-black jars, bowls and plates.
Elvis' pottery tradition can be traced back to the 1800s when his great-great-grandmother, Tonita Pena, was famous for her polychrome pots. His great-grandmother, Isabel Pena Martinez, mainly created black-on-black and carved pottery. Elvis' mother, "Lupita" Martinez, sometimes painted pots for both Isabel and Tonita. Early in his career, Elvis painted pots for his mother. Over time, Elvis learned the entire process from his mother, then he took it further.
Elvis was a participant in the Santa Fe Indian Market, the Eight Northern Pueblos Arts & Crafts Show and the New Mexico State Fair for years, earning many First, Second, Third and Honorable Mention ribbons at those.

San Ildefonso Pueblo is located about twenty miles northwest of Santa Fe, New Mexico, west of Pojoaque, south of Santa Clara and straddling the Rio Grande. Although their ancestry has been traced to prehistoric pueblos in the Greater Mesa Verde area, the prehistoric pueblo at Tsankawi, in a non-contiguous parcel of Bandelier National Monument, is their most recent ancestral home. Tsankawi abuts the reservation on its northwest side.
Franciscan monks named the village after San Ildefonso and in 1617, forced the tribe to build a mission church on top of the village's main kiva. Before that the village was known as Powhoge, "where the water cuts through" (in Tewa). Today's pueblo was established as long ago as the 1300s. When the Spanish arrived in 1540, they estimated the village population at about 2,000.
That mission was destroyed during the Pueblo Revolt of 1680 and when Don Diego de Vargas returned to reclaim San Ildefonso in 1694, he found virtually all the Tewa people camped out on top of nearby Black Mesa. After an extended siege the two sides negotiated a treaty and the people returned to their villages. However, the next 250 years were not so good for them.
The swine flu pandemic of 1918 reduced the pueblo's population to about 90. Their population has grown to more than 600 since but the only economic activity available on the pueblo itself involves creating art in one form or another. The only other work is off-pueblo. San Ildefonso's population is small compared to neighboring Santa Clara Pueblo, but the pueblo maintains its own religious traditions and ceremonial feast days.
San Ildefonso is most known for being the home of the most famous Pueblo Indian potter, Maria Martinez. Many other excellent potters from this pueblo have produced quality pottery, too, among them: Blue Corn, Tonita and Juan Roybal, Dora Tse Pe and Rose Gonzales. Of course, the descendants of Maria Martinez are still important pillars of San Ildefonso's pottery tradition. Maria's influence reached far and wide, so far and wide that even Juan Quezada of the Mata Ortiz pottery renaissance in Chihuahua, Mexico, came to San Ildefonso to learn from her.

Disclaimer: This "family tree" is a best effort on our part to determine who the potters are in this family and arrange them in a generational order. The general information available is questionable so we have tried to show each of these diagrams to living members of each family to get their input and approval, too. This diagram is subject to change should we get better info.
Some of the above info is drawn from Pueblo Indian Pottery, 750 Artist Biographies, by Gregory Schaaf, © 2000, Center for Indigenous Arts & Studies
Other info is derived from personal contacts with family members and through interminable searches of the Internet.
