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Cavan Gonzales was born in 1970 to Barbara Gonzales and Robert Gonzales of San Ildefonso Pueblo. He grew up watching and working with his mother as she made pottery. He excelled at it but rather than continue in her black-on-black-with-sgraffito style, he mostly makes polychrome pieces.
Cavan won his first ribbon at the 1983 Santa Fe Indian Market. It was a Third Place ribbon in the children, ages 13-18 division. The next year he won two First Place ribbons and a Second Place ribbon in the same division. When he was 16, Cavan designed the 75th Anniversary official emblem commemorating New Mexico's statehood. At the age of 18 Cavan was awarded the Presidential Scholar Award from the White House in Washington DC.
Cavan kept winning ribbons every year through his participation in the Santa Fe Indian Market but he also earned a full, four-year scholarship and earned his BFA in ceramics, glaze calculations and intaglio at Alfred University.
Cavan's work can be seen in places like the Smithsonian's Museum of the American Indian, the Millicent Rogers Museum, the Wheelwright Museum of the American Indian, the Heard Museum and the Museum of Indian Arts and Culture.

San Ildefonso Pueblo is located about twenty miles northwest of Santa Fe, New Mexico, west of Pojoaque, south of Santa Clara and straddling the Rio Grande. Although their ancestry has been traced to prehistoric pueblos in the Greater Mesa Verde area, the prehistoric pueblo at Tsankawi, in a non-contiguous parcel of Bandelier National Monument, is their most recent ancestral home. Tsankawi abuts the reservation on its northwest side.
Franciscan monks named the village after San Ildefonso and in 1617, forced the tribe to build a mission church on top of the village's main kiva. Before that the village was known as Powhoge, "where the water cuts through" (in Tewa). Today's pueblo was established as long ago as the 1300s. When the Spanish arrived in 1540, they estimated the village population at about 2,000.
That mission was destroyed during the Pueblo Revolt of 1680 and when Don Diego de Vargas returned to reclaim San Ildefonso in 1694, he found virtually all the Tewa people camped out on top of nearby Black Mesa. After an extended siege the two sides negotiated a treaty and the people returned to their villages. However, the next 250 years were not so good for them.
The swine flu pandemic of 1918 reduced the pueblo's population to about 90. Their population has grown to more than 600 since but the only economic activity available on the pueblo itself involves creating art in one form or another. The only other work is off-pueblo. San Ildefonso's population is small compared to neighboring Santa Clara Pueblo, but the pueblo maintains its own religious traditions and ceremonial feast days.
San Ildefonso is most known for being the home of the most famous Pueblo Indian potter, Maria Martinez. Many other excellent potters from this pueblo have produced quality pottery, too, among them: Blue Corn, Tonita and Juan Roybal, Dora Tse Pe and Rose Gonzales. Of course, the descendants of Maria Martinez are still important pillars of San Ildefonso's pottery tradition. Maria's influence reached far and wide, so far and wide that even Juan Quezada of the Mata Ortiz pottery renaissance in Chihuahua, Mexico, came to San Ildefonso to learn from her.

Disclaimer: This "family tree" is a best effort on our part to determine who the potters are in this family and arrange them in a generational order. The general information available is questionable so we have tried to show each of these diagrams to living members of each family to get their input and approval, too. This diagram is subject to change should we get better info.
Some of the above info is drawn from Pueblo Indian Pottery, 750 Artist Biographies, by Gregory Schaaf, © 2000, Center for Indigenous Arts & Studies
Other info is derived from personal contacts with family members and through interminable searches of the Internet.
