A polychrome jar decorated with a two-panel Mimbres lizard and geometric design made by Sherrel Pedro of Laguna
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Sherrel Pedro, Laguna, A polychrome jar decorated with a two-panel Mimbres lizard and geometric design
Sherrel Pedro
Laguna
$ 175
shla4f349
A polychrome jar decorated with a two-panel Mimbres lizard and geometric design
3.75 in L by 3.75 in W by 3.5 in H
Condition: Good
Signature: Sherrel Pedro Laguna, N.M.



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Sherrel Pedro

Laguna

A polychrome seed pot decorated with a lizard and geometric design

Sherrel Pedro was born into Laguna Pueblo on April 1, 1952, the daughter of Ruth Kajond. She's known for making polychrome bowls, jars and figures, since about 1992.

Laguna Pueblo

After the Pueblo Revolt of 1680, the pueblos were fearful of Spanish reprisals. Spanish militias returned several times in the 1680s, looting and burning before returning to safety south of El Paso. In those years, when the Puebloans became aware of approaching Spanish forces they mostly scattered into the mountains and the Spanish found empty pueblos, easy to loot and easy to burn. When Don Diego de Vargas marched north in 1692, he was intent on reconquering Nuevo Mexico and re-establishing a long-term Spanish presence there. As the conquistadors who accompanied him were on a "do-or-die" mission, the reconquest took on a tenor quite different from the previous missions...

At first de Vargas followed a path of reconciliation with the pueblos but that was soon replaced with an iron fist that brought on a second revolt in 1696. The pueblos didn't fare so well the second time around and a large number of Pueblo warriors were executed while their wives and children were forced into slavery. When word of de Vargas actions got back to the King of Spain, he ordered de Vargas banned from the New World. However, most of the damage was already done.

Many modern historians say Laguna Pueblo was established between 1697 and 1699 by refugees seeking to avoid the fighting with the Spanish. Many of those refugees had left the first pueblos approached by the Spanish in 1692. Most had scattered to more remote places like Acoma, Zuni and Hopi, or to more Spanish-friendly Isleta. However, the pressure of those refugees strained the resources of the other pueblos and quickly forced the refugees to consider starting a new existence in a newly-formed pueblo.

In the 1000s CE, groups of Keres-speaking people were migrating out of the Chaco Canyon area. Some went to the south around the west side of Mount Taylor (and eventually to Acoma), and some went around the east side. Those who went around the east side of the ancient volcano came to a large lake where they decided to settle. The number of abandoned pueblos in the area says they stayed close to that lake for many years, moving only as drought and exhausted soils forced them to. That lake is what caused the Spanish to name the village "Laguna" several hundred years later. Some of the land under Laguna control has also been found to contain archaeological resources dating as far back as 3,000 BCE.

On the east side of today's Laguna Reservation is where the Puerco River of the East flows. There were numerous pueblos established along the Puerco between about 1250 and 1450 CE. Among them was a village now named Pottery Mound, named for the massive mounds of potsherds in and around the ruin. Pottery Mound was abandoned before the Spanish first arrived but archaeologists have followed the tracks left by Pottery Mound styles, shapes and designs to Acoma, Zuni and to settlements in the Hopi mesas and the Four Corners area.

In the 1700s, several villages were established in the area around Old Laguna and when the Lagunas were granted their own reservation, they were given about 500,000 acres of land, making Laguna one of the largest of all pueblos in terms of land. However, only about half the enrolled members of the tribe live at Laguna as many have been drawn to nearby Albuquerque in search of work.

Laguna and Acoma share the same language (Western Keres), similar pottery styles and similar religious beliefs. However, pottery making almost died out at Laguna after the railroads arrived in New Mexico in 1880 and laid a primary east-west trackbed directly in front of the Laguna main pueblo. During that time period many Lagunas went to work on railroad construction crews and many of the traditional Laguna arts and crafts died out. It didn't help when a Methodist missionary was elected pueblo governor in 1872. Among his first steps in office was an order to destroy all the kivas on Laguna land. That caused a schism in the tribe and, shortly, about half the Lagunas left their reservation and relocated to Isleta. Many of them returned to Laguna years later but there are still some at Isleta.

Pottery making never completely stopped at Laguna but by 1960 it was almost gone. Then in 1973 and again in 1974 Nancy Winslow (an Anglo woman from Albuquerque) taught two four-month arts and crafts classes at the pueblo. Among the 22 pueblo members in the first class were Evelyn Cheromiah and her daughters. Rick Dillingham quoted Evelyn Cheromiah as saying that after "looking at my mother's pottery-making tools, I got the urge of going back to making pottery." That was the beginning of today's renaissance in Laguna pottery.

Because of their geographic proximity, Laguna and Acoma clays are very similar, although Laguna clay tends to be a bit more sandy. In some instances, it's very hard to determine if a particular pot is from Acoma or from Laguna. Laguna potters are more likely to temper their white clay with sand than with ground potsherds like the Acomas do. Laguna geometric designs also tend to be bolder than Acoma designs while Laguna potters use Mimbres designs much more sparingly than do Acoma potters.

Location map of Laguna Pueblo

For more info:
at Wikipedia
official website

Mimbres Pottery

Mimbres Mogollon Culture
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The Mimbres Mogollon culture was named for the Mimbres River in the Gila Mountains. They lived in the area from about 850 CE to about 1150 CE. Substantial depopulation of the area occurred but there were many small surviving populations. Over time, these melted into the surrounding cultures with many families moving north to Acoma, Zuni and Hopi while others moved south to Casas Grande and Paquimé.

The time period from about 850 CE to about 1000 CE is classed the Late Basketmaker III period. The time period was characterized by the evolution of square and rectangular pithouses with plastered floors and walls. Ceremonial structures were generally dug deep into the ground. Local forms of pottery have been classified as early Mimbres black-on-white (formerly Boldface Black-on-White), textured plainware and red-on-cream.

The Classic Mimbres phase (1000 CE to 1150 CE) was marked with the construction of larger buildings in clusters of communities around open plazas. Some constructions had up to 150 rooms. Most groupings of rooms included a ceremonial room, although smaller square or rectangular underground kivas with roof openings were also being used. Classic Mimbres settlements were located in areas with well-watered floodplains available, suitable for the growing of maize, squash and beans. The villages were limited in size by the ability of the local area to grow enough food to support the village.

Pottery produced in the Mimbres region is distinct in style and decoration. Early Mimbres black-on-white pottery was primarily decorated with bold geometric designs, although some early pieces show human and animal figures. Over time the rendering of figurative and geometric designs grew more refined, sophisticated and diverse, suggesting community prosperity and a rich ceremonial life. Classic Mimbres black-on-white pottery is also characterized by bold geometric shapes but done with refined brushwork and very fine linework. Designs may include figures of one or multiple humans, animals or other shapes, bounded by either geometric decorations or by simple rim bands. A common figure on a Mimbres pot is the turkey, another is the thunderbird. There are also a lot of different fish depicted, some are species found in the Gulf of California.

A lot of Mimbres bowls (with kill holes) have been found in archaeological excavations but most Mimbres pottery shows evidence it was actually used in day-to-day life and wasn't produced just for burial purposes.

There's a lot of speculation as to what happened to the Mimbres people as their countryside was rapidly depopulated after about 1150 CE. The people of Isleta, Acoma and Laguna find ancient Mimbres pot shards on their pueblo lands, indicating that pottery designs from the Mimbres River area migrated north. There are similar designs found on pot shards littering the ground around Casas Grandes and Paquime near Mata Ortiz and Nuevo Casas Grandes in northern Mexico. Other than where they went, the only reasons offered for why they left involve at least small scale climate change. The usual comment is "drought" but drought could have been brought on by the eruption of a volcano on the other side of the planet, or a small change in the El Nino-La Nina schedule. Whatever it was that started the outflow of people, it began in the Mimbres River area and spread outward from there. Excavations in the Eastern Mimbres region (nearer to Truth or Consequences, New Mexico) have shown that the people adapted to new circumstances and that adaptation itself moved them closer into alignment with surrounding tribes and cultures. Eventually they just kind of merged into the background, although the groups that moved south and built up Paquime and Casas Grandes seem to have lost a war and survivors migrated to the west, to a land a bit more hospitable for them.


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