A 13-piece Nativity set made by Stella Teller of Isleta
Stella Teller, Isleta, A 13-piece Nativity set
Stella Teller
Isleta
$ 1500
zzle4h722
A 13-piece Nativity set
2 in L by 3 in W by 2 in H Measurement of largest piece
Condition: Excellent except calf with chipped ear
Signature: Stella Teller Isleta, N.M.



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Every box is required. We will get back to you as soon as possible. Thank you!

We keep all your information private and will not sell or give it away for any reason, EVER!

This form will not work for some users of Safari. If you are one of those, you can either email us directly or call us: 505-986-1234. Or you can download and use Firefox for Mac.




 

Stella Teller

Isleta
Five cubs on a bear storyteller figure

The daughter of Rudy and Felicita Jojola, Stella Teller was born at Isleta Pueblo in 1929. It wasn't until about 1962 that she first appeared in the marketplace with her earliest pieces. Since then she has earned numerous awards at the SWAIA Santa Fe Indian Market, the Eight Northern Pueblos Arts and Crafts Show and the New Mexico State Fair for her distinctive storytellers, nativities and non-traditional jars (canteens in particular).

Stella's pieces are notable for their "sleeping eyes," overall light-blue to white coloring and often have strings of heishi beads either inlaid or painted on. Some of her pieces have found their way into the collections of the Peabody Museum at Harvard College in Boston, the Folk Museum in Berlin, Germany, and into the Wright Collection, Walton-Anderson Collection and the personal collections of Frank Kinsel and Peter B. Carl.

Her favorite designs include clouds, rain, turtles, Pueblo dancers and kiva steps. Her favorite styles include storytellers, Nativities, jars, bowls, wedding vases, canteens and effigies.

Stella has passed her knowledge on to her daughters: Chris, Mona, Robin and Lynette, each of whom has gone on to become award-earning potters in their own right.

Isleta Pueblo

The Isleta Mission
San Agustin de la Isletas Mission

Isleta Pueblo is said to have been founded in the 1300s. Archaeologists have put forth various ideas as to where the people came from with some scholars saying they migrated north from Mogollon/Mimbres settlements to the south while others say they migrated southeastward from either Chaco Canyon in the 1100s and 1200s or from the Four Corners area in the 1200s and 1300s. Their Tiwa language is shared with nearby Sandia Pueblo and a very similar tongue is spoken to the north at Taos and Picuris Pueblos. The two dialects are sometimes referred to as Southern and Northern Tiwa.

In 1540, when Coronado passed by, there were 15 major and minor Tiwa pueblos in the Middle Rio Grande area, and he seems to have attacked every one of them, looking for food and gold. By 1598, when Don Juan de Oñaté came north to conquer and occupy Nuevo Mexico, he found only Isleta and Alameda (Sandia) left. The others had all succumbed to European diseases introduced to them 60 years before, diseases they had no immunity to.

When the Franciscan priests arrived in the area (with de Oñatéin 1598 CE) they named the pueblo "Isleta" (meaning: island). The residents were relatively accommodating to the Spanish priests when compared to the reception the same priests got in other areas of Nuevo Mexico (making Isleta something of an "island of safety" for the Spanish in an ocean of hostility). When the Pueblo Revolt of 1680 happened, Isleta either couldn't or wouldn't participate in the rebellion. When the Spanish governor left Santa Fe he went to Albuquerque first, then to Isleta, and gathered his priests and troops. None wanted to go back north to fight so when they left and headed south, many Isletans went south to the El Paso area with them. Others fled to the Hopi settlements in Arizona and returned after the fighting was clearly over, many with Hopi spouses. When the Spanish returned in 1682 they found the Isleta mission church burned and the main structure was being used as a livestock pen. When the Spanish returned in force in 1692 they found Isleta completely empty and burned. The governor ordered the pueblo be rebuilt and resettled so residents were brought in from Taos and Picuris to the north and from Ysleta del Sur to the south, near El Paso. By 1720 a new, grander mission had been rebuilt on the foundations of the first.

Over the next century dissident members of the Laguna and Acoma Pueblo communities migrated to Isleta. While they were welcomed into the main Isleta pueblo at first, friction developed over the years until in the late 1800s, the small communities of Oraibi and Chicale were established. Most of the newcomers moved to one or the other.

The advent of the railroad in New Mexico was almost the end of the Isleta community as so many of the men went to work for the railroad. While the remaining residents managed to hold on to some of their social and religious practices, other elements of their culture almost disappeared, pottery making being one of those traditions that barely survived.

Today, making pottery the traditional way is practiced by only a few potters and their close family members.

Location of Isleta Pueblo

For more info:
at Wikipedia
official website

Teller Family Tree

Disclaimer: This "family tree" is a best effort on our part to determine who the potters are in this family and arrange them in a generational order. The general information available is questionable so we have tried to show each of these diagrams to living members of each family to get their input and approval, too. This diagram is subject to change should we get better info.

    Marcellina Jojola (c. 1860s-)
    • Emily Lente Carpio (c. 1880s-)
      • Felecita Jojola (c. 1900s-) & Rudy Jojola
        • Stella Teller (1929-) and Louis Teller
          • Chris Teller Lucero (1956-)
          • Marie (Robin) Teller Velardez (1954-) and Ray Velardez
            • Lesley Teller Velardez (1973-)
          • Mona Blythe Teller (1960-)
            • Christopher Teller
            • Nicol Teller Blythe (1978-)
          • Lynette Teller (1963-)

Some of the above info is drawn from Southern Pueblo Pottery, 2000 Artist Biographies, by Gregory Schaaf, © 2002, Center for Indigenous Arts & Studies

Other info is derived from personal contacts with family members and through interminable searches of the Internet and cross-examination of the data found.