Santa Clara
$ 5200
zzsc2e090
Large polished black jar with bear print design
11.5 in W by 11.5 in H by 12 in H
Condition: Excellent
Signature: Joseph G. and Eunice Naranjo SCP, with hallmark
Date Created: 2022
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Joe & Eunice Naranjo
Santa ClaraJoseph G. Naranjo learned to make pottery from his mother, Isabel Naranjo, as he was growing up. He was making carved blackware jars and bowls before he met and married Eunice Maize, a Dineh woman.
Eunice moved to Joe's home at Santa Clara. She had learned to do weaving as she grew up but said she didn't have the patience needed for it. So Joe taught her how to make pottery. Together they started participating in the Eight Northern Pueblos Arts & Crafts Show in the mid-1990s.
Joe generally makes the pieces, Eunice sands them, Joe carves them, polishes them and fires them. On some pieces Joe's cousin, Kevin Naranjo, adds some sgraffito designs.
Eunice makes pottery of her own, too. She generally makes black animal figures: cows and sheep, and decorates them with bits of wool and cowhide.
Some Awards Joe and Eunice Have Earned
- 2023 - Second Place, Division D, Category 806 - With added elements (like beads, feathers, stones, etc), any form, Santa Fe Indian Market
Santa Clara Pueblo
Ruins at Puye Cliffs, Santa Clara Pueblo
Santa Clara Pueblo straddles the Rio Grande about 25 miles north of Santa Fe. Of all the pueblos, Santa Clara has the largest number of potters.
The ancestral roots of the Santa Clara people have been traced to the pueblos in the Mesa Verde region in southwestern Colorado. When that area began to get dry between about 1100 and 1300, some of the people migrated to the Chama River Valley and constructed Poshuouinge (about 3 miles south of what is now Abiquiu on the edge of the mesa above the Chama River). Eventually reaching two and three stories high with up to 700 rooms on the ground floor, Poshuouinge was inhabited from about 1375 to about 1475. Drought then again forced the people to move, some of them going to the area of Puye (on the eastern slopes of the Pajarito Plateau of the Jemez Mountains) and others to Ohkay Owingeh (San Juan Pueblo, along the Rio Grande). Beginning around 1580, drought forced the residents of the Puye area to relocate closer to the Rio Grande and they founded what we now know as Santa Clara Pueblo on the west bank of the river, between San Juan and San Ildefonso Pueblos.
In 1598 Spanish colonists from nearby Yunque (the seat of Spanish government near San Juan Pueblo) brought the first missionaries to Santa Clara. That led to the first mission church being built around 1622. However, the Santa Clarans chafed under the weight of Spanish rule like the other pueblos did and were in the forefront of the Pueblo Revolt of 1680. One pueblo resident, a mixed black and Tewa man named Domingo Naranjo, was one of the rebellion's ringleaders. When Don Diego de Vargas came back to the area in 1694, he found most of the Santa Clarans on top of nearby Black Mesa (with the people of San Ildefonso). An extended siege didn't subdue them so eventually, the two sides negotiated a treaty and the people returned to their pueblo. However, successive invasions and occupations by northern Europeans took their toll on the tribe over the next 250 years. The Spanish flu pandemic in 1918 almost wiped them out.
Today, Santa Clara Pueblo is home to as many as 2,600 people and they comprise probably the largest per capita number of artists of any North American tribe (estimates of the number of potters run as high as 1-in-4 residents).
Today's pottery from Santa Clara is typically either black or red. It is usually highly polished and designs might be deeply carved or etched ("sgraffito") into the pot's surface. The water serpent, ("avanyu"), is a traditional design motif of Santa Clara pottery. Another motif comes from the legend that a bear helped the people find water during a drought. The bear paw has appeared on their pottery ever since.
One of the reasons for the distinction this pueblo has received is because of the evolving artistry the potters have brought to the craft. Not only did this pueblo produce excellent black and redware, several notable innovations helped move pottery from the realm of utilitarian vessels into the domain of art. Different styles of polychrome redware emerged in the 1920's-1930's. In the early 1960's experiments with stone inlay, incising and double firing began. Modern potters have also extended the tradition with unusual shapes, slips and designs, illustrating what one Santa Clara potter said: "At Santa Clara, being non-traditional is the tradition." (This refers strictly to artistic expression; the method of creating pottery remains traditional).
Santa Clara Pueblo is home to a number of famous pottery families: Tafoya, Baca, Gutierrez, Naranjo, Suazo, Chavarria, Garcia, Vigil, Tapia - to name a few.
Santa Clara Pueblo at Wikipedia
Pueblos of the Rio Grande, Daniel Gibson, ISBN-13:978-1-887896-26-9, Rio Nuevo Publishers, 2001
Upper photo courtesy of Einar Kvaran, Creative Commons Attribution-Share Alike 3.0 Unported License
Avristo Naranjo Family Tree
Disclaimer: This "family tree" is a best effort on our part to determine who the potters are in this family and arrange them in a generational order. The general information available is questionable so we have tried to show each of these diagrams to living members of each family to get their input and approval, too. This diagram is subject to change should we get better info.
- Avristo Naranjo & Amelia Tafoya
- Isabel Naranjo (1922-) & Jose Eugene Naranjo
- Elaine Naranjo Filbert (1944-) & James Filbert
- Colleen F. Filbert
- Imogene Hale
- JoeAnn D. Naranjo (1952-)
- Arlo White
- Clarissa White
- Lenna White
- Joseph G. Naranjo & Eunice Maize Naranjo (Navajo)
- Maria (1942-) and Andy Padilla
- Elaine Naranjo Filbert (1944-) & James Filbert
- Maria I. Naranjo (1919-)
- Martha Mirabal (1946-)
- James Mirabal
- Tammie Mirabal
- Martha Mirabal (1946-)
Some of the above info is drawn from Pueblo Indian Pottery, 750 Artist Biographies, by Gregory Schaaf, © 2000, Center for Indigenous Arts & Studies
Other info is derived from personal contacts with family members and through interminable searches of the Internet.
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