Clay figurines have been present in the Pueblo pottery tradition for at least the last thousand years. However, between 1540 and 1820 CE, figures and effigies were denounced as "works of the devil" by the Spanish priests. Before and after that time, the art of making figurative pottery flourished, especially at Cochiti Pueblo.
The "storyteller" is an important role in the tribe as the Native American people did not have a method for writing down anything. The closest thing they had to a written language were the designs they used to decorate pottery, textiles, baskets and stone. The storyteller's role was to preserve, retell and pass down the oral history of their people. In most tribes that role was fulfilled by men.
The first real storyteller figure was created in 1964 by Cochiti Pueblo potter Helen Cordero. She made it in memory of her grandfather, Santiago Quintana, and the stories he sang to her and other children in their native Keres when she was young. Helen's creation struck a chord throughout all the pueblos as the storyteller is a figure central to all their societies. Most tribes also have the figure of the Singing Maiden in their pantheon and in many cases, the mix of Singing Maiden and Storyteller has blurred some lines in the pottery world. Today, as many as three hundred potters in thirteen pueblos have created storytellers, and their storytellers are not only men and women but also Santa's, mudheads, koshares, bears, owls and other animals, sometimes encumbered with children numbering more than one hundred! Each potter has also customized their storyteller figures to more closely reflect the forms, dress and decorations of their own tribes, often even of their own clans.